In case you haven’t heard, Jim Carrey and Jeff Daniels will be reprising their roles in “Dumb and Dumber To” as Lloyd and Harry, a pair of imbeciles who happily stumble their way through life oblivious to the calamities their stupidity ensues.
After 20 years of waiting for a sequel, this is really happening. There’s even a trailer and everything:
From a young age we’re trained to pass the blame onto others – no matter how big the mistakes.
The natural instinct is to find someone else who can take the fault for our fumbles. From pointing fingers in grade school to passing the buck onto a coworker, the blame game is ingrained in us.
How many times have we looked like Tommy Boy, trying to fix things up and then asking others, “What’d you do?!”
Welcome to Episode 19 of the POP GOD POPcast – an exploration of into the lives of people seeking God in the present tense.
This week we’re doing something a little different with the podcast – a preview of this summer’s biggest movies. My good friend and fellow movie buff Josh Gibbs sits down with me as we break down the movies we’re most (and least) excited about. We give our thoughts on Godzilla, Guardians of the Galaxy, Transformers: Age of Extinction, 22 Jump Street, The Fault In Our Stars, TMNT and many more sequels, superheroes, cartoons, and even chick flicks.
Listen to the podcast here:
Enjoy this exploration into the movies which will inspire a whole slew of POP GOD posts over the summer. I challenge you to seek the presence of God out in these blockbusters as well.
Subscribe to this podcast on iTunes, rate it, leave a comment, listen to all the other episodes, share it on Twitter and Facebook and anywhere else. I’d really appreciate it. Thanks.
I love sharing stories of people seeking God in the present tense. Let me hear your feedback. Leave me a comment and let me know how to improve things, what you’d like to hear discussed, and give me your ideas as to who you’d like to see on the next episode of the POPcast.
Terminator 2: Judgment Day is the best sequel of all time.
You may argue otherwise. But you would be wrong.
The first Terminator movie is a decent 80s action flick. It’s more focused on Sarah Connor, Kyle Reese, and their struggle to protect her unborn (and unconceived) son than it is the Terminator trying to kill her, played in an almost comically wooden fashion by Arnold Schwarzenegger.
In fact, the famous “I’ll be back” line from the film is just a throwaway line the Terminator offers as he assesses how to break down a doorway to get to Sarah Connor. (Also, dig that rad 80s synthesizer score!) Continue reading →
Is it wrong that I have no interest in watching “Son Of God”?
The new movie from producer Mark Burnett made over $26 million this weekend playing to faith-based crowds preparing for the Easter season. I was not one of them.
“Son Of God” is basically all of the scenes involving Jesus from 2013’s miniseries “The Bible” compiled into one feature length film. Part of me is just not interested in paying $10 to see rehashed material on the big screen.
Really though, I just don’t see anything for me when I watch the previews for “Son Of God”.
I’ve seen the story of Jesus told this way already. There doesn’t appear to be anything surprising or insightful in it. There are no risks being taken.
Now, I’m basing all this off the trailer and reviews for the film. I could be way off here. Continue reading →
With such loud and showy movies as “Gravity”, “The Wolf of Wall Street”, and “American Hustle” battling it out for Best Picture at The Academy Awards this year, it’s amazing to look back at the big award winner of 2012.
2 years ago “The Artist”, a black and white (and mostly silent) film took home Best Picture at The Oscars.
“The Artist” was a true throwback to the golden days of Hollywood. It was the first black and white film to win Best Picture in 50 years.
Black and white films resonate with people in ways color ones never will. Black and white speaks to something in the soul. It sparks memories of the olden days when life seemed simpler.
Black and white is simple. It is story and beauty at its most basic. There is something true in it.
Yet black and white movies are intimidating to some people. Some people won’t watch a movie if it’s in black and white. They think it’s outdated. As if a movie needs to have color and sound and CGI to be worth watching. Continue reading →
With The Oscars coming up this Sunday night, everybody’s getting all worked up about who’s going to take home the big gold statues this year.
Pfft. Big deal. I mean, I don’t want to brag, but I have a pretty good supply of trophies I won during my childhood.
I wasn’t a particularly stellar athlete – I just grew up in a generation where everybody got a trophy at the end of every season, regardless of wins and losses.
Some people complain about how our culture gives trophies to kids just for participating. I think it can be a good thing.
A trophy is more than a reward; it stands out as a memory of a journey. The problem is when the pursuit of a trophy becomes your only obsession. Continue reading →
I watched the movie “All Is Lost” starring Robert Redford this past week. It wasn’t a great movie, or even a very good one. But I was really impressed by some of the visuals of Redford lost at sea, adrift in a seemingly endless ocean.
“All Is Lost” is as barebones simple of a movie as it gets. Redford’s character (whose name or background we never learn) is sailing across the ocean. One morning he awakes to a huge leak in his ship. The movie follows him trying to fix the leak and trying to stay alive.
That’s all. No other characters. Only 2 or 3 lines of dialogue across 2 hours. Just an old man and the sea.
Like I said, I was awestruck by the enormity of the ocean in the film. “All Is Lost” worked as a great advertisement against ever setting sail on my own.
As Redford’s character kept battling the elements, I kept wondering, “Why would you ever mess with the ocean?” Continue reading →