Monday Morning Music: Kansas City

(Click Here if you can’t see the video above)

One of the most buzzed about musical projects of the year is The New Basement Tapes. It’s a collaboration between Marcus Mumford (of Mumford and Sons), Rhiannon Giddens (of The Carolina Chocolate Drops), Jim James (of My Morning Jacket), Taylor Goldsmith (of Dawes) and Elvis Costello (of Elvis Costello).

That all-star lineup in and of itself is awesome enough. But that’s not even the coolest part.

What makes The New Basement Tapes special is these artist have come together to record a set of newly discovered lyrics written by none other than Bob Dylan. Continue reading

Monday Morning Music: Roll Away Your Stone

Whether you’re a rock star, a pro wrestler, or just an everyday joe, the way you make your entrance is of the utmost importance.

You can tell a lot from someone’s entrance. Are they loud? Quiet? Strong? Weak? Confident? Defeated?

Every Monday morning, you decide how you will make your entrance into the week. Maybe you need a little entrance music to motivate you:

http://www.youtube.com/watch?v=2O-BwV0DDUY

(Click Here if you can’t see the video above)

A new week can overcome you before it even begins. Your mind may weigh heavy with the consequences of all your past failures from the previous week. Your body may still be reeling from losing an hour of sleep this weekend.

The great thing about Monday is you have the choice to see things in a new way. Today can be a fresh start. You can leave the old you behind on Monday and start seeing things differently. Continue reading

The U2 Trick

Who would you say is the biggest band in the world right now? Would it be Mumford and Sons? fun.? Maroon 5? One Direction?

U2-Rattle-and-HumIn the late 80s, the answer to that question would have undoubtedly been U2. In 1989, at the peak of their international popularity, U2 decided to take a break. After ten years of constant touring across the world and six smash records, the biggest band in the world took a few years off to, as Bono said at the time, “dream it all up again.”

When they returned with their next album “Achtung Baby” in 1991, most people expected it would consist of the same uplifting, soul-searching arena rock that was a trademark of U2. Instead, “Achtung Baby” sounded like this: 

“Achtung Baby” was not just a tremendous departure from anything U2 had ever created, but from anything on the radio in 1991. Why would the biggest band in the world completely deconstruct their sound and release an album so far removed from their previous catalog?

Here’s the trick: they wanted to thrive, not just survive. Continue reading